This work is born from the meeting of two chromatic fields that do not oppose one another, but engage in a silent dialogue.
The upper section is crossed by a deep mauve violet—intense and velvety—a restrained, contemplative tone.
Below, a warm ivory, luminous and soft, opens the space and receives the gesture.
Between these two planes unfolds the cycle: an imperfect circular form, drawn freehand.
The mark does not seek geometric precision; it vibrates, overlaps, returns upon itself.
It is a continuous movement, a rhythm that unites the two colors and renders them part of a single breath.
The cycle is never perfectly centered: it slips slightly, as if held in an unstable balance.
This choice introduces a subtle tension, a sense of time flowing and renewing itself.
The work belongs to the Cycles series, an exploration of return, repetition, and transformation.
Each painting is a different moment of the same movement: similar, yet never identical.
The vintage frame, repainted in satin black with an inner gilded fillet, becomes an integral part of the work.
It is not merely a support, but a material boundary that contains and reinforces the composition, dialoguing with the depth of the mark.
An imperfect cycle crosses the boundary between mauve and ivory: a rhythm that returns, each time transformed.
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Product Details:
Artwork dimensions: 80 × 60 cm
Dimensions with frame: 105 × 85 cm
Technique: Mixed media on canvas
